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“For men and women, jewelry is the defining path for creating your own look and vibe. Research designers that are new and untapped (they exist in just about every city these days), and with Etsy and the internet, you have really no excuses. And don’t forget the supportive accessories. I don’t just mean investing in a nice watch and handbag. Ditch the old umbrella and cheap shades and upgrade already!” —Mr. Russell
6. Get a new everyday hobo bag. Just say no to achy neck and shoulders, small ladylike handbags (even ones with a designer logo), heavy satchels with a zillion pockets and buckles, or changing bags day to day. Treat yourself to a medium-sized hobo of soft natural leather that's flexible enough to hold all your items — even your iPad, smartphone and Kindle — yet snuggles on your shoulder and under your arm for security in crowds, elevators and airports. It sits easily on your lap at movies, and has a full-zipper closure, inner pockets and at least one outer pocket for keys and mints.
References: Why You Truly Never Leave High School. Paul Feig's guest DJ choices on KCRW. Chuck Klosterman's essay on Dazed and Confused, in which he states, "Dazed and Confused is not a movie about how things were; Dazed and Confused is a movie about how things are remembered." Those fuzzy photograph-looking paintings by Gerhard Richter. Any Rodarte collection that cites California as inspiration. Eternal Sunshine of the Spotless Mind.
For the 2016 Pirelli Calendar, Annie Leibovitz chose to photograph women whose achievements demonstrate a different kind of beauty from what the calendar has traditionally showcased. I'm still shocked to be included among so many people who've long influenced not just my work, but how I see the world, and try to see myself. Annie photographed me one year earlier in the pink velvet dress I'd originally bought for prom, in my parents' backyard. At that time, it was still my backyard, too, and had functioned since I was a little kid as a personal photo studio, study, and consistent reminder that I was bigger than I had been the year before, and the year before that, and that this would only keep happening. (I'm still v short, but: relatively speaking.) It was where I learned that as your childhood shrinks around you, so will your sense of wonder, unless you choose to pay close attention to what surrounds you at new heights. When Annie shot me for Pirelli, we were just a few blocks from my new home in NYC. A lot happens in that first year, and not knowing the geography of the city makes every encounter feel totally isolated from the rest of the world, like a castle on a cloud. At the time of this shoot, I was parsing what in this year had seemed significant just because it was new, and then what was enriching. I was exhausted by the sheen, and desperate to develop a kind of discernment which would make me so healthy, so OK with myself, that genuine wonder would return--gravitation towards stuff that isn't just shiny, but illuminates the same sorts of truths I'd learned as a fan of Patti, Yoko, and other women who happen to be in this calendar, too. I decided to cut my hair on the shoot, rid myself of any excess. Annie made me feel completely comfortable, like I was the same person as the year before, but indeed older. Again, still very physically short. My foot is peeking out of that shoe. I urge you to look at the other portraits, all so stunning, bold & nearly impossible to turn away from. They are strongest as a group, but I wanted to share what mine means to me and thank you for following what I do in such a way that has allowed for this to happen.
I don't actually think these events really happened to me, but they'll still come to mind when I think back on a time when a secondhand event seemed to hold some kind of truth that reality did not. Example: I felt all weird and drifty at the beginning of last summer, and when I try and revisit that place, I don't literally imagine the view from behind a car windshield and how everything must look to the narrator in Yo La Tengo's "Today Is the Day," but I sure remember the exact sadness that it captured.
How to actually do it: "Don't give people too many things to look at all at once," says Halbreich. "If you're wearing a low-cut dress, focus on the cleavage—you don't also need bare arms and legs." The concept applies to fit as well: A body-hugging dress is better with a more sensible neckline and hem, whereas a skirt that hits a few inches above the knee won't raise eyebrows if it's flared rather than tight.