For the 2016 Pirelli Calendar, Annie Leibovitz chose to photograph women whose achievements demonstrate a different kind of beauty from what the calendar has traditionally showcased. I'm still shocked to be included among so many people who've long influenced not just my work, but how I see the world, and try to see myself. Annie photographed me one year earlier in the pink velvet dress I'd originally bought for prom, in my parents' backyard. At that time, it was still my backyard, too, and had functioned since I was a little kid as a personal photo studio, study, and consistent reminder that I was bigger than I had been the year before, and the year before that, and that this would only keep happening. (I'm still v short, but: relatively speaking.) It was where I learned that as your childhood shrinks around you, so will your sense of wonder, unless you choose to pay close attention to what surrounds you at new heights. When Annie shot me for Pirelli, we were just a few blocks from my new home in NYC. A lot happens in that first year, and not knowing the geography of the city makes every encounter feel totally isolated from the rest of the world, like a castle on a cloud. At the time of this shoot, I was parsing what in this year had seemed significant just because it was new, and then what was enriching. I was exhausted by the sheen, and desperate to develop a kind of discernment which would make me so healthy, so OK with myself, that genuine wonder would return--gravitation towards stuff that isn't just shiny, but illuminates the same sorts of truths I'd learned as a fan of Patti, Yoko, and other women who happen to be in this calendar, too. I decided to cut my hair on the shoot, rid myself of any excess. Annie made me feel completely comfortable, like I was the same person as the year before, but indeed older. Again, still very physically short. My foot is peeking out of that shoe. I urge you to look at the other portraits, all so stunning, bold & nearly impossible to turn away from. They are strongest as a group, but I wanted to share what mine means to me and thank you for following what I do in such a way that has allowed for this to happen.
If a dream is not considered as valid as "real," conscious memory, then I'll still regard it in some corner of the mind as a tiny piece of my history and identity. In Chris Ware's Building Stories, one character is able to partially reconcile her life's regret of neglecting to pursue a creative career because she dreams she had written the book she'd always hoped to. The fact that this book could exist even in her subconscious fantasy was enough for her. Just the notion of her own potential had her wake up in tears.
One of three bloggers to land Lucky's February 2015 cover, the Sydney-based Warne, 25, first launched Gary Pepper as a vintage e-commerce site in 2009. Warne started out blogging and modeling the clothes as a way to market the website, and by 2011, it was one of the largest online vintage retailers in Australia. However, the young entrepreneur's side project soon became the main event, and in 2012 she shut down the e-commerce leg of Gary Pepper to focus on her blog-driven business.
A handbag is one of the most versatile and important accessories that a woman can own. There’s no such thing as “one too many” when it comes to bags and purses, but pay attention to what type is the best for you. Sure, you’ll need different ones for different occasions,so your should at least have three different kinds for starters – small, medium and large. From styles traditionally considered masculine to typical high end women’s handbags, there is nothing you can’t combine with the right clothes depending on the occasion. After that, you should concentrate on the type you use the most, which is also the type which will get worn out the fastest. That is why you should have more of them – if you switch them regularly, they will last longer.
Fashion’s most unflattering women’s wear trend is far from a spot in our rearview mirrors. Skintight bike shorts pedaled their way onto scores of runways once again this season, having first emerged as a ’90s throwback reference at Off-White this time last year. At Fendi, in a look sported by Bella Hadid, they were long, navy and spandex, with shimmering streaks and a matching leather waist belt. At Roberto Cavalli, Paul Surridge presented a pair for after dark, in ochre with blue sequined embroidery. Over in Paris, the first look from the new creative director at Mugler, Casey Cadwallader, was an oversize, seamed black blazer and — you guessed it — matching biking shorts. And Jacquemus opted for an unforgiving knitted tangerine variation, to be worn with an oversize white shirt and the swagger of someone comfortable with having everything on show. Saddle up! — ELIZABETH PATON, European correspondent, Styles