By knowing the shape, scale and proportions of your body, you'll be able to select the best clothes and accessories that create a balanced silhouette that help disguise the parts you're self-conscious about to you pave the way for your confidence. This gives you the curves on all the right places, and leaves plenty of room to play up your best assets.
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About - Described as "The authority on Miami fashion" by GUESS. Ria counts brands like Revolve Clothing, Bacardi, Teen Vogue, Kia, and Wildfox Couture, amongst her list of clients. She has been featured in prestigious publications such as Elle Magazine, Marie Claire, Seventeen and more. Ria aims to inspire by documenting her journey as it comes and captivating audiences all over the world.
Rookie Yearbook Four, the print edition of our fourth year, comes out October 20: 352 pages of beautiful writing and art by young people, plus print-only contributions from people like Amandla Stenberg, Kiernan Shipka, Jazz Jennings, Dev Hynes of Blood Orange, Emma Roberts, Sarah Paulson, Charli XCX, DeJ Loaf, Ezra Koenig of Vampire Weekend, Florence Welch of Florence and the Machine, Donna Tartt, Shamir, Chloe of Kitten, Rashida Jones, Tracee Ellis Ross, Joy Williams, Hayley Williams of Paramore, Lorde, Tyler Ford, Ariana Grande, Edward Droste of Grizzly Bear, Solange, and Willow Smith. WHEW. See also: stickers, posters, a cut-out diorama and banner, ET CETERA FOREVER. I've never been able to choose a favorite Rookie Yearbook until now. It is our final one (senior year!) and I can't wait for Rookies THE WORLD OVER to see it. (Mr. Burns laugh, but in the name of good things like self-esteem and creativity.)
"Well, really, our memories are all we have, and even those we think of as "real" are made up. Art can condense experience into something greater than reality, and it can also give us permission to do or think certain things that otherwise we’ve avoided or felt ashamed of. The imagination is where reality lives; it’s the instant lie of backwash from the prow of that boat that we think of as cutting the present moment, everything following it becoming less and less "factual" but no less real than what we think of as having actually occurred."