It may seem contradictory to the current sociopolitical climate that the sexy and glamorous ’80s are back, but they are—although not in a Krystle Carrington of “Dynasty,” or Madonna circa “Holiday” sort of way. This time around, the way to do the ’80s is to choose one or two pieces or one accent color to get the vibe. Think pops of bright color, rather than an entire outfit in a shocking bright shade.
The four dresses I’m wearing in today’s post, and everything below is under $100. Nordstrom has something on a budget for everyone – no matter the color, shape, or size you are looking for, and no matter the occasion. Whether it’s sequins for New Year’s, red for Christmas, or pastels and prints for your next holiday parties and soirees – they’ve got it.
With top-tier fashion bloggers raking in multimillion-dollar campaigns, it’s no wonder every self-proclaimed fashionista wants to launch a personal style site. But not all outfit posts are created equal. These fashion bloggers stand out from the pack thanks to their one-of-a-kind sartorial sense and sharp business acumen. Click through the slideshow above to meet the dynamic women ruling the blogosphere and our picks for the best fashion blogs of 2018. May the best blog win.
“As a male model, I’ve learned this the hard way. Even when I see something really eye-catching, if it’s the last one and it’s not my size I still have to pass. I used to impulsively buy things because they were the last one and I thought I could make it work. But you can’t fix it if the fit is wrong.” —Michael Freeby, model and fashion photographer
The ruffles perchance that dominated last summer will endure next year. For all those bored with languid, smooth shapes, cascades of frills subverted childlike associations this season. Simone Rocha's felt off-kilter, and Yves Saint Laurent's had a 1980s Prince appeal. Marc Jacobs, never one to buck to commercialism, designed his with dramatic flourishes and fantastical feathers.

“You don’t have to spend an arm and a leg to look fantastic, however, we do tend to feel and act a little different when we wear things that are expensive. We treat those things differently too; with more care. We tell ourselves that they are special and that we are special when we wear them. But really it’s the mental story we assign to those items that make them special. Expensive things might trigger those feelings more easily but you can shine just as bright every day with ordinary things, just by acting as you would if they were expensive.” —Jennifer Lowe, stylist and designer for Water Vixen Swim    Learn some more ways you can use clothing to influence your mood.

Hedi Slimane's debut Celine show may have been divisive, but there are few designers that make tailoring so desirable. Scrap evening dresses in favour of a tuxedo, a chic, nonchalant alternative, and a look favoured not only by Slimane, but also Giambattista Valli who went for crisp white and at Givenchy in the form of tuxedo dresses - a style already worn by the Duchess of Sussex. Alexander McQueen created a keyhole tux to reveal a hint of skin and Hermès showcased versions with missing buttons.
There was a refreshing shift on the runways this season, and it had little to do with the clothes and everything to do with the casting. While plenty of new faces graced the catwalks as usual, the real surprise was the reappearance of some of the greatest models of the ’90s. Yasmin Le Bon walked at Calvin Klein, Stella Tennant and Georgina Grenville starred at Ferragamo, and Shalom Harlow — who hasn’t set foot on the runway in years — closed Versace (in a floral lace gown and a cloud of her natural ringlets). These women added to the shows a kind of diversity that has been lacking: a range of ages. They also lent strength to the collections, thanks in part to their walks: the powerful, showstopping strides of the original supermodels. — MALINA JOSEPH GILCHRIST, style director, women’s, T magazine
It covers many aspects of men's fashion, from Menswear 101 to Outfit of the Day to Dressiquette. For instance, there are fascinating articles entitled “Braces or Belt, Never Both,” “Match Leather to Leather and Metal to Metal,” and “Dressiquette – Your socks should match your pants.” (Although your socks should match your pants, not your shoes, Sergio believes you only need to worry about this in formal situations – he prefers high-contrast brightly colored socks).
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I was asked to share my "big big world" at the Sydney Opera House and the Melbourne Writers Festival and mostly talked about fangirling, the anxiety of influence, and being happy instead of putting pressure on yourself to be some tortured artist. I love Neil Gaiman's "make good art" speech, but I wanted to talk about what happens when you can't make good art, and about how fulfilling it can be to appreciate other people's art. If you prefer to watch the FIRST-EVER DELIVERY of this thing, the Sydney one is here, but I've embedded the slightly-updated Melbourne one above.
"Pick out your outfit the night before. I cannot tell you how many times I used to not bother, then be in a rush in the morning and just put on the first thing I could find in a hurry. That way you can pick something practical, stylish and feel great, rather than rushing and feeling like a hot mess all day! Plus it gives you time to pick out your accessories — which I had a habit of running out without when I would pick it out in the morning!" —Submitted byKrissie Gonzalez
Though it might vary from location to location, know when the photos are going to come out in the most striking way possible (whatever that might mean for your personal vibe). “Often the best hours for outfit photos are later in the afternoon,” says Chantal van Der Meijden. “I call them the ‘magic hours!’ When the sun is near the horizon and gives a soft hazy front light.”
Now that you know your area of expertise, it is time to select a unique yet memorable website URL. While some blogs opt to infuse their URL with relevant keywords, this is less of a concern for your fashion blog. It is not that keywords are not relevant, just that keywords in fashion come and go faster than in most industries—and you don’t want your blogs name to appear dated.
For the 2016 Pirelli Calendar, Annie Leibovitz chose to photograph women whose achievements demonstrate a different kind of beauty from what the calendar has traditionally showcased. I'm still shocked to be included among so many people who've long influenced not just my work, but how I see the world, and try to see myself. Annie photographed me one year earlier in the pink velvet dress I'd originally bought for prom, in my parents' backyard. At that time, it was still my backyard, too, and had functioned since I was a little kid as a personal photo studio, study, and consistent reminder that I was bigger than I had been the year before, and the year before that, and that this would only keep happening. (I'm still v short, but: relatively speaking.) It was where I learned that as your childhood shrinks around you, so will your sense of wonder, unless you choose to pay close attention to what surrounds you at new heights. When Annie shot me for Pirelli, we were just a few blocks from my new home in NYC. A lot happens in that first year, and not knowing the geography of the city makes every encounter feel totally isolated from the rest of the world, like a castle on a cloud. At the time of this shoot, I was parsing what in this year had seemed significant just because it was new, and then what was enriching. I was exhausted by the sheen, and desperate to develop a kind of discernment which would make me so healthy, so OK with myself, that genuine wonder would return--gravitation towards stuff that isn't just shiny, but illuminates the same sorts of truths I'd learned as a fan of Patti, Yoko, and other women who happen to be in this calendar, too. I decided to cut my hair on the shoot, rid myself of any excess. Annie made me feel completely comfortable, like I was the same person as the year before, but indeed older. Again, still very physically short. My foot is peeking out of that shoe. I urge you to look at the other portraits, all so stunning, bold & nearly impossible to turn away from. They are strongest as a group, but I wanted to share what mine means to me and thank you for following what I do in such a way that has allowed for this to happen.
A sloppily cuffed jean. An ill-fitting blazer. A dress that shows just a little too much to be referred to as "tastefully sheer." These are the things that fashion editors and stylists can spot from a million miles away. To those in the biz, the proper proportions of a crop top may be obvious, but for those seeing the trends in a magazine or online, it can be a little trickier to know exactly how to wear everything.
I don't actually think these events really happened to me, but they'll still come to mind when I think back on a time when a secondhand event seemed to hold some kind of truth that reality did not. Example: I felt all weird and drifty at the beginning of last summer, and when I try and revisit that place, I don't literally imagine the view from behind a car windshield and how everything must look to the narrator in Yo La Tengo's "Today Is the Day," but I sure remember the exact sadness that it captured.
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